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Matmos
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
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Matmos ist eine experimentelle Band aus San Francisco, die 1995 von den Musikern M.C.Schmidt und Drew Daniel (solo als The Soft Pink Truth) gegrΓΌndet wurde. Der Name Matmos bezieht sich auf eine lebende FlΓΌssigkeit aus dem 1968er Science-Fiction-Film Barbarella. Sie verΓΆffentlichen vor allem auf dem Label Matador Records.
Als Produzenten zeichnen Matmos fΓΌr das Album Vespertine von BjΓΆrk mitverantwortlich.cite-ref-1[1] Auch fΓΌr ihr Folgealbum MedΓΊlla produzierten Matmos einige Songs.
Contents
β’ Stil
β’ Diskografie
β’ Alben
β’ EPs
β’ Limited Edition
β’ Weblinks
β’ Einzelnachweise
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββ
Stil
Viele ihrer StΓΌcke lassen sich in der NΓ€he der Musique concrΓ¨te ansiedeln. Matmos nutzen neben konventionellen Instrumenten wie Keyboards und Gitarren auch verschiedene GerΓ€usche, Samples und Field Recordings. Zum Einsatz kommen chirurgische Operationsinstrumente, das UmblΓ€ttern von Bibelseiten, elektrische Gitarren fΓΌr fΓΌnf Dollar, Kontaktmikrofone an menschlichem Haar, Heliumtanks, TotenschΓ€del, Spielkarten, Celli, Violinen, Insekten, Ukulelen, auf eine Trommel fallende Tabletten, bellende Hunde, vorlesende Menschen, unter den FΓΌΓen knirschendes Salz oder in der Sonne tauendes Eis.
Diskografie
Alben
β’ Matmos (1998, OLE-380)
β’ Quasi-Objects (1998, OLE-381)
β’ The West (1999)
β’ A Chance to Cut Is a Chance to Cure (13. MΓ€rz 2001, OLE-489)
β’ The Civil War (2003)
β’ The Rose Has Teeth in the Mouth of a Beast (2006, OLE-677)
β’ Supreme Balloon (2008)
β’ Treasure State, with So Percussion (2010)
β’ The Marriage of True Minds (2013)
β’ Ultimate Care II (2016)
β’ Plastic Anniversary (2019)
β’ The Consuming Flame: Open Exercises in Group Form (2020)
EPs
β’ Full On Night, with Rachelβs (2000, Quarterstick)
β’ California Rhinoplasty (12. Februar 2001, OLE-501)
β’ Rat Relocation Program (2004)
β’ For Alan Turing (2006)
β’ The Ganzfeld EP (2012, Thrill Jockey 315)
Limited Edition
β’ Matmos Live, with J Lesser (2002)
β’ A Viable Alternative to Actual Sexual Contact, als Vague Terrain Recordings (2002, Piehead Records)
β’ A Paradise of Dainty Devices: interludes, micromedia & sound edits (limited edition of 100, for their Wet Hot EuroAmerican Summer Tour, 2007)
β’ Polychords, Promo-Single released on Matador Records
Weblinks
β’ Matmos Website
β’ Matmos bei Myspace
β’ Matmos bei Discogs
β’ Konkrete Pop-Musik. Zum Einfluss Stockhausens und Schaeffers auf BjΓΆrk, Matthew Herbert und Matmos (PDF-Datei; 201 kB)
β’ βElliptische Dialektikβ in EVOLVER.at
Einzelnachweise
cite-note-11. β Forrest Wickman: Itβs Not Just BjΓΆrk: Women Are Tired of Not Getting Credit for Their Own Music. In: Slate. 21. Januar 2015, abgerufen am 1. August 2018.